EBOOK Notre Dame de Paris

FREE DOC ¾ READER Notre Dame de Paris ✓ MONEYEXPRESSCARD Ý This extraordinary historical novel set in Medieval Paris under the twin towers of its greatest structure and supreme symbol the cathedral of Notre Dame is the haunting drama of uasimodo the hunchback; Esmeralda the gypsy dancer; and Claude Frollo the pA profound sense of tragic irony it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description An interesting read – I enjoyed this though not as much as Les Miserables The characters were complex and interesting and the ending very powerful but it didn't uite hold my attention as much as Les Miserables

Victor Hugo Å Notre Dame de Paris MOBI

He haunting drama of uasimodo the hunchback; Esmeralda the gypsy dancer; and Claude Frollo the priest tortured by the specter of his own damnation Shaped by 922 Notre Dame de Paris Our Lady of Paris The Hunchback of Notre Dame Victor HugoThe Hunchback of Notre Dame is a French RomanticGothic novel by Victor Hugo published in 1831 The story is set in Paris in 1482 during the reign of Louis XI The gypsy Esmeralda born as Agnes captures the hearts of many men including those of Captain Phoebus and Pierre Gringoire but especially uasimodo and his guardian Archdeacon Claude Frollo Frollo is torn between his obsessive lust for Esmeralda and the rules of Notre Dame Cathedral He orders uasimodo to kidnap her but uasimodo is captured by Phoebus and his guards who save Esmeralda Gringoire who attempted to help Esmeralda but was knocked out by uasimodo is about to be hanged by beggars when Esmeralda saves him by agreeing to marry him for four years The following day uasimodo is sentenced to be flogged and turned on the pillory for one hour followed by another hour's public exposure He calls for water Esmeralda seeing his thirst approaches the public stocks and offers him a drink of water It saves him and she captures his heart Later Esmeralda is arrested and charged with the attempted murder of Phoebus whom Frollo actually attempted to kill in jealousy after seeing him trying to seduce Esmeralda She is sentenced to death by hanging As she is being led to the gallows uasimodo swings down by the bell rope of Notre Dame and carries her off to the cathedral under the law of sanctuary temporarily protecting her from arrest Frollo later informs Gringoire that the Court of Parlement has voted to remove Esmeralda's right to the sanctuary so she can no longer seek shelter in the Cathedral and will be taken away to be killed Clopin the leader of the Gypsies hears the news from Gringoire and rallies the citizens of Paris to charge the cathedral and rescue Esmeralda When uasimodo sees the Gypsies he assumes they are there to hurt Esmeralda so he drives them off Likewise he thinks the King's men want to rescue her and tries to help them find her She is rescued by Frollo and Gringoire But after yet another failed attempt to win her love Frollo betrays Esmeralda by handing her to the troops and watches while she is being hanged When Frollo laughs during Esmeralda's hanging uasimodo pushes him from the height of Notre Dame to his death uasimodo goes to the cemetery hugs Esmeralda's body and dies of starvation with her Years later they are discovered and while trying to separate them uasimodo's bones turn to dustگوژپشت نوتردام ویکتور هوگو ؛ ادبیات فرانسه؛ انتشاراتیها توسن، سعیدی، عین اللهی، آرمان، بشارت، نهال نویدان، ارغوان، سمور، حقوقی و جاودان خرد؛ تاریخ نخستین خوانش یکی از روزهای سال 1972میلادیعنوان گوژپشت نوتردام؛ اثر ویکتور هوگو؛ مترجم احمد سعیدی؛ تهران، سعیدی، 1348، در 242ص؛ موضوع داستانهای نویسندگان فرانسوی سده 19ممترجم اسفندیار کاویان؛ تهران،عین الهی، 1362، در 309ص؛ مترجم لقا اردلان، تهران، انتشارات توسن؛ 1362، در 108ص؛ مترجم جواد محبی؛ تهران، نشر بشارت، 1370، در 547 ص؛ چاپ دوم مشهد، جاودان خرد، 1385؛ در 526ص؛ سوم 1386؛ چهارم 1387، پنجم 1388؛ شابک 9789646030282؛ مترجم ایاز حدادی؛ تهران، آرمان، 1370، در 368ص؛ دوزبانه انگلیسی فارسی؛ چاپ بعدی 1380؛ در 390ص؛مترجم فتحیه صالحی؛ تهران، ارغوان، 1371، در 128ص؛ مترجم رویا ریاحی؛ تهران، نشر سمور، 1375، شابک 9646208193؛ مترجم شکوفه اخوان؛ تهران، نهال نویدان، 1375، در 192ص؛ چاپ دیگر 1392؛ در 159ص؛ شابک 9789645680464؛ هوگو در مقدمه کتاب مینویسد چند سال پیش نویسنده این کتاب به هنگام تماشا یا بهتر بگوییم ضمن کاوش در کلیسای نتردام در یکی از زوایای تاریک برجهای آن کلمه ANATKHرا که دستی عمیقاً بر یکی از دیوارها کنده بود مشاهده کرد؛ کسی که این کلمه را بر دیوار برج کلیسای نتردام نقش زده بود چندین سده پیش از جهان رخت بربسته، و نوشته ی او هم بدنبال وی ناپدید گردیده، پایان عمر کلیسا نیز بسیار نزدیک است؛ کتاب حاضر درباره ی سنگ نوشته مزبور به رشته ی تحریر در آمده‌ است؛ پایان نقلچکیده داستان در «پاریس» سده پانزدهم، دختر کولی جوان و زیبایی، به نام «اسمرالدا»؛ به همراه بز باهوش خود میرقصید، و برنامه اجرا میکرد؛ «کلود فرولو»، رئیس «شماس»های «نتردام» است، راهبی ست که در نهان عاشق «اسمرالدا» شده‌، او سعی می‌کند با یاری «کازیمودو»، ناقوس زن گوژپشت، و بدشکل «نتردام»، «اسمرالدا» را برباید، ولی با دخالت «کاپیتان فوبوس دوشاتوپر» ناکام میماند، و «کازیمودو» دستگیر میشود؛ «کازیمودو» را در میدان اعدام، با شلاق مجازات میکنند، و تنها «اسمرالدا»، که قلبی مهربان دارد، به او یاری می

BOOK é Notre Dame de Paris Å Victor Hugo

Notre Dame de ParisThis extraordinary historical novel set in Medieval Paris under the twin towers of its greatest structure and supreme symbol the cathedral of Notre Dame is t I recently read Victor Hugo's Notre Dame de Paris for the first time and was delighted and moved by the experience Although it lacks the depth and humanity of Les Miserables it possesses a grandeur of architectonic structure and an Olympian compassion all its own Best of all it gives us one of literature's most loving and detailed depictions of a city rivaled only by Joyce's Dublin in UlyssesIt is a shame that this book is so seldom referred to in English by its given name for it is about than the history of one hunchback however moving that history may be First of all it is about the great cathedral that dominates and defines the city the setting for much of the novel's action and most of its crucial events It is also about the “genius loci” of Paris the maternal spirit that offers sanctuary and support to its most unfortunate children many of them literally orphans Gringoire uasimodo Esmeralda the Frollos be they ugly or beautiful virtuous or evil bringing a measure of comfort to their difficult and and often tragic lives Hugo's novel had been on my lengthy “must read” list for years but what finally moved it to the top was my growing fascination with cities in literature In childhood my favorite Arabian Night's tales were the ones that took place in Baghdad and from early adolescence I loved Sherlock Holmes' London D'Artagnan's Paris and Nero Wolfe's New York I also began to appreciate fantastic cities such as Stevenson and Machen's London and Leiber's Lankhmar Soon I fell in love with the hard boiled detective genre and—having been a childhood fan of Arthurian romances—identified with each of these modern knight errants on a uest I also realized that the individuality of each city—and the private detective's familiarity with it and his relation to it was an essential part of the genre's charm Even the most realistic of private eye cities—Robert B Parker's Boston for example—were filled with as many marvels as any Arthurian Romance instead of a sorceress one might meet a sexy widow; instead of a liveried dwarf a mysterious butler; and instead of a disguised knight offering a cryptic challenge one might be offered a tailing job by a Beacon Hill Brahmin with a mask of smiles and hidden motivations The world of the marvelous had been transported from the isolated castles woods and meadows of England's “green and pleasant land” to the magnificent townhouses and seedy alleys of an urban environment How had this occurred and what were the literary antecedents?I believe that Notre Dame de Paris in 1831 is the point where this all begins Hugo took a shoot of the delicate gothic already in decline grafted it to the hearty root of the city or precisely to a Gothic cathedral in the center of a great city where it was most likely to flourish watered it from the oasis of Arabian marvels dangerous hunchback guild of thieves beautiful dancing girl and cultivated the resulting growth with the historical method of Sir Walter Scott Thus the urban romance was bornThis was just the start of course Another decade of industrialism and population growth would make the great European cities seem even like ancient Baghdad Dickens would make the thieves guild central to the sinister London of Oliver Twist and Eugene Sue's exploration of urban vices in The Mysteries of Paris 1841 would soon be successfully imitated commercially if not artistically—by England's Reynolds in The Mysteries of London and America's Lippard in The uaker City or The Monks of Monk's HallA little later the detective arrived in the gothic city Poe's DuPont Gaboriau's Leco Conan Doyle's Holmes and soon the marvelous and fantastic were re introduced Stevenson's New Arabian Nights Machen's The Three Imposters as well fully preparing the urban landscape for the writers of the 20th century to construct their cities of romance in the worlds of detection and fantasyHugo tells us that the bones of uasimodo and Esmeralda have long ago turned to dust but the marvelous city of crimes and dreams continues to live on