Kind Of Blue Book ↠ The Making Of The Miles Davis Masterpiece Ü Ashley kahn

Text Kind Of Blue

Kind Of Blue Book ↠ The Making Of The Miles Davis Masterpiece Ü Ashley kahn Ü Jazz musicians call it The Bible Critics call it the one jazz album every fan must own Forty one years since its recording in 1959 it has sold millions worldwide and sits near the top of any list of most important rBop to modal jazz re creates the sessions using master tapes weighing in on fragmentary takes and the dispute about composers and follows the rise of the album from its contemporary reception to its transformation into a cultural landmark through conversations with those who were there Extensively researched and copiously illustrated Kind of Blue recovers an invaluable piece of musical history and heightens fans' appreciation of the album they know and loveNew and never before published material in Kind of Blue includes The complete unedited master session tapes with analysis of fragmentary t Classic album It is often considered the seminal Modal Jazz album I have seen it mentioned as the best selling jazz album of all timeCheck out Kahn's body of work He knows the subject he writes about He interviewed who he could on the making of the album and its impact He gives one of the few explanations of what modal jazz is that I have read He has good knowledge of the players and there impactThis is a great book Half the book is a biography of the players and times and half is the making of the record and it's influences The subject matter is a must read for jazz fans Kahn deals with the subject with an impressive commandI liked it so much that I am now reading Kahn's book about the making of Love Supreme by Coltrane

Ashley Kahn È The Making Of The Miles Davis Masterpiece Ebook

Akes that have never been released and studio dialogue between Davis and the musicians Over forty new interviews with musicians producers and critics including Herbie Hancock Elvin Jones uincy Troupe George Avakian Nat Hentoff and the only people still living who witnessed the making of the album Jimmy Cobb engineer Bob Waller and photographer Don Hunstein Previously unpublished photos of the recording session featuring a rare shot of Miles's charts Studio logs and internal memos from Columbia about the making and marketing of the album The handwritten version of Bill Evans's famous liner note This book is great for so many reasons but I'd have to say the best reason is because of how good a writer Kahn shows himself to be Out of all the books on music I've read this is the most crisp clear fluidly written book He explains a little music theory and Miles' modal method of thinking with no pretention and such precision that the uality of the writing itself rivals the excitement of the Kind of Blue recording process which he also details very very well Very worth reading for any jazz lover or someone wanting to understand jazz

Book Ó The Making Of The Miles Davis Masterpiece È Ashley Kahn

Kind Of Blue The Making Of The Miles Davis MasterpieceJazz musicians call it The Bible Critics call it the one jazz album every fan must own Forty one years since its recording in 1959 it has sold millions worldwide and sits near the top of any list of most important records of the century How did two impromptu sessions produce such a timeless acknowledged masterpiece? Now for the first time Ashley Kahn takes us into the studio to witness the creation of an album that still thrills jazz musicians enthusiasts and newcomers alike with its deceptively simple tunes Using eyewitness accounts and newly discovered documents Kahn traces Miles's move from Kind of Blue has sold 7 million copies albeit in 50 years making it the best selling jazz album of all time Far from being a safe commercial work KoB broke new ground by introducing new structures to jazz Perhaps the trick was that Miles discarded complex chord structures for simple vamps that frame endless yet hypnotic solos by John Coltrane Bill Evans and Cannonball Adderly Kahn recreated this session blow by blow although the only living player on the scene was drummer Jimmy Cobb who is not known for an accurate memory Nonetheless he puts you in the studio and recreates this session with documentary detail while providing listen long insights into the music My favorite detail What the musicians were paid other than Miles who took royalties It was union scale for a brief session max two takes per song As I recall I read this some years ago they made something like 58 each